In those early portions, when the full blast of Himalayan beauty hits us through Aseem Bajaj’s camerawork at some of the world’s most stunning, snow-laden, high-altitude locations, the film holds out great promise. Yet, that is what you get in Shivaay, Devgn’s second directorial venture, which is the story of a modern-day Indian resident of the upper reaches of the Himalayas, mountaineer, guide to foreign tourists and chillum-smoking fount of indomitable strength. Who would have dreamt that such an overtly sexual conversation derived from the mythology of Lord Shiva would emerge from staid, conservative Ajay Devgn and the rarely adventurous Hindi film industry. However, since they indulge in many rounds of coital activity soon afterwards, one assumes he proves to her that he is in possession of his very own ******** and not a mere tattoo of (what many believe to be) the phallic symbol associated famously with the most intriguing member of the Hindu Holy Trinity. He speaks up helpfully: ********? (the word is muted in the film)

He: (wordlessly reveals a tattoo of the three-pronged weapon on his back) He: (wordlessly reveals a tattoo of a serpent on his muscular forearm)

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